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Shorter and smaller in scope, The Hobbit is a wonderful read for all ages. Tolkien's prose can be a bit stiff at times, but he paints an engaging world with such compelling characters that it's hard not to become completely lost in the page.
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From the dark canopies of Mirkwood to the treasure-filled caverns of the Lonely Mountain, Tolkien's Middle-earth was born in The Hobbit, and it's a must-read for any lover of fantasy. There are very few novels so beautifully written as The Last Unicorn. While I absolutely loved the film adaptation, the book is something so special, so perfect in every way, that to not read it would be to do yourself a grave injustice. Sometimes I just open it up and read the first page, just to relish Beagle's gorgeous prose.
The story of the last of the unicorns and her quest to find what happened to the rest of her kind is one that explores the meaning of magic, of friendship and of self. It's certainly one of the best books I've ever read, fantasy or no. I was unsettled and afraid. I wasn't sure I wanted to keep reading. I'm glad I did.
This is the first book in a larger sequence, and it introduces us to a world where not everything is as it seems. Powerful forces work behind the scenes, and time itself is far more malleable than we thought. Will Stanton is just a normal boy, suddenly thrust into an epic battle between good and evil playing out all around him, invisible to most people.
He must go on a quest to find six magical Signs to help aid the Old Ones in their fight against the Dark. Danger, terror and the forces of darkness will line up to stop him. Lewis's groundbreaking Chronicles of Narnia series, but it's the one you should read first nonetheless. The Magician's Nephew takes place earlier chronologically, but serves as more of a prequel than a first installment. They step through a magical wardrobe into another world, and a great deal of fantasy adventure awaits.
Yes, there is plenty religious allegory at play here, but readers of all faiths or lack thereof can find enjoyment and wisdom in Lewis' work. Lewis's Chronicles of Narnia received acclaim and controversy in equal measure; for Pullman, thanks to his deeply critical stance on organized religion—especially Catholicism.
But that's the thing about reading, and about fantasy in particular. We should never be afraid to open our minds to different perspectives, different world views, even when they make us uncomfortable. Especially when they make us uncomfortable. The world-building is superb. There are armored polar bears, mysteriously vanished children, a nefariously powerful Magesterium and so much more. Lyra and the rest of the characters are all terrific and well-drawn, and you won't want to stop reading right up to the bitter end.
The first in a long-running fantasy series of the same name, Redwall focuses on mice and weasel and hedgehog characters, telling terrific stories of very small heroes, very dastardly villains, and their epic adventures and battles. Redwall itself is an Abbey, where peaceful critters assemble over exquisitely detailed feasts—if Jacques hadn't struck gold with Redwall, I could see him doing quite well as a food critic.
But these animals are often prey for more nefarious beasts, and so the story unfolds. You might also want to start with Mossflower , which is something of a prequel to Redwall, but you could go either way. I haven't read all of the many books in this series, but I loved the first few and I wish this had a movie or TV adaptation.
Good for the imagination, bad if you're very hungry. Mistry manages his own fine balance between detail and scope in this Mumbai-set novel. This taciturn tale of stoic warriors ground down by the Spanish Civil War reminds us, says Peter Hessler, that "Hemingway was a remarkable landscape writer. Decades before the Caribbean-born British writer became acclaimed for Wide Sargasso Sea, she evoked Paris through a glass very darkly in this first-person tale of a woman's melancholy return to the city.
The critic Alfred Kazin credited Howells, onetime editor of Boston's Atlantic Monthly, with tilting the axis of literature south, to New York, when he moved there in the s. His fictionalized account of the move was "about a city at a moment when it's bursting with promise," says Phillip Lopate, who wrote the introduction to this edition.
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Not enough can be said of the influence of this imagined trip to the Congo. Hughes's tale of warped children set upon by pirates reads like Lord of the Flies, but with irony. Nathaniel Rich relishes its depictions of Jamaica as "a country in the last throes of a losing battle with nature," while Jesse Ball loves what happens after the kids leave the island and hit the waters: "This book of books invests everything it touches with an indefinite but shimmering brilliance.
Do you want to be hauled off by force along with your brothers and sisters? The Argentine-Parisian novelist's very strangely structured novel—complete with contradictory instructions on how to read it—boils down to an evocative story of a man's obsession with a disappeared lover. Naipaul's breakthrough book, and arguably his best, is a travel novel writ large in that it tracks a whole culture in diaspora. Desai's Booker Prize-winning novel of two generations straddling continents struck Phillip Lopate for its scenes of New York kitchens, "the new melting pot" of the city where struggling immigrants rub soiled shoulders.http://matronics.in/comprar-azitromicina-100mg-farmacia-canadiense.php
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Matthew Sharpe prefers the novel's less realistic moments: "There is, in Manhattan, a subterranean club where people go to defecate out in the open while conversing, smoking cigars, etc. Yoshimoto's interwoven family narratives make a new generation of Japanese life accessible to the rest of us. Fernanda Eberstadt couldn't resist including Lawrence's novel, which, you must admit, goes places few others dare. She calls the author "the Van Gogh of travel writers, virulently moralistic, every nerve ending hallucinogenically receptive to light, landscape, vegetation, and the human characteristics forged by climate.
The dissident Soviet novelist's take on the Battle of Stalingrad—a book considered so dangerous that authorities destroyed the typewriter ribbons along with the manuscript—is "a very complex and ambitious novel," says Horacio Castellanos Moya, "but I think that the Volga River region itself is the main character. Karnezis, who moved from Greece to England 16 years ago, manages in these stories to skewer his homeland's inhabitants with a light touch.
Once you get over the shock and the word games and the descriptive genius of this masterwork, you're ready for its cross-country trip into a land as dazzlingly innocent to Humbert as his young charge.
What is it with travel and age-inappropriate relationships? This spare novel about an au pair from the West Indies in an unnamed city that's unmistakably New York made Jennifer Belle see her town "as if for the first time. Through fresh eyes we see an elevator, a bridge, the winter sun.
A beautiful wooden city that you know is going to be bombed [during World War II]. Some trips are longer than others, but Musil's never-finished 1,plus-page masterwork is worth the slog for its deep yet funny study of a shallow world. Heavily based in fact, Galvin's description of what four men did to tame an inaccessible piece of wilderness on the Wyoming-Colorado border is "an extended ode to an American West that is by now largely gone," says Jonathan Burnham Schwartz.
Of all the writers to capture what was so very fast, exciting, and wrong about the eighties, Londoner Amis had one odd advantage: He was a self-styled outsider, like his ad-man narrator, John Self. Breton's work of high surrealism, about a Parisian psychiatric patient with a serious identity crisis, has inspired many writers, including Jesse Ball. DeLillo's first truly paranoid novel is also his first serious venture abroad—to Greece and the Middle East, where "businesspeople in transit" collude with intelligence services to make sure things go their way.
Peter Hessler praises this book for giving "a remarkable sense of the Sulaco landscape"—its rocky peninsula and silent gulf ringed by mountains. It's an entirely made-up place, in a fictional South American country on the verge of revolution. The great Russian Jewish writer wrote fantastic war stories before he was killed by Stalin, but these tales of Jewish gangsters in Babel's birthplace make Nathan Englander feel almost certain he's been there.
Unsurprisingly, the book that made travel synonymous with literature when both were in their prehistory earns the most nominations from our writers. David Ebershoff simply calls it "the greatest work of travel literature. Without this book, would we have any of the books on this list?
Alexander McCall Smith calls Kerouac's stream-of-consciousness road novel "a book to read when one is about eighteen," but here's a good reason for another look: last year's release of the even more unbridled "scroll" version, drawn from the foot roll of paper on which Kerouac originally wrote it out. Napoleon's cook, not at all thrilled with his posting in bleak wintertime Russia, falls in love with a mysterious Venetian web-footed female gondolier in the British writer's surreal and dazzling second novel. Steinbeck's otherwise timeless and placeless fable, in which an impoverished Mexican pearl diver unwittingly brings ruin on his family after pulling up the largest pearl known to man, is grounded in its beautiful landscape.
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